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Solution Manual for American Music A Panorama, Concise, 5th Edition

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Solution Manual for American Music A Panorama, Concise, 5th Edition

Product details:

  • ISBN-10 ‏ : ‎ 1285446216
  • ISBN-13 ‏ : ‎ 978-1285446219
  • Author: Lorenzo Candelaria

This concise, accessible book describes American music as a panorama of distinct yet parallel streams–hip-hop and Latin; folk and country; gospel and classical; jazz, blues, and rock–that reflect the uniquely diverse character of the United States. Comparing and contrasting musical styles across regions and time, the author delivers a vision of American music both exuberant and inventive–a music that arises out of the history and musical traditions of the many immigrants to America’s shores.

Table contents:

  1. Part 1: Folk and Ethnic Musics
  2. Ch 1: The English-Celtic Tradition
  3. Imported Ballads
  4. Features Common to Most Ballads
  5. Naturalized Ballads
  6. Native Ballads
  7. Print and the Ballad
  8. Fiddle Tunes
  9. Print and the Fiddle Tune
  10. Play-Party Songs
  11. Key Terms
  12. Ch 2: The African American Tradition
  13. African Music and Its Relation to Black Music in America
  14. Religious Folk Music: The Spiritual
  15. Secular Folk Music
  16. Key Terms
  17. Ch 3: The American Indian Tradition
  18. Music in Indian Life
  19. Types of Songs According to Purpose
  20. Characteristics of Indian Music
  21. Indian Music and Acculturation
  22. Key Terms
  23. Ch 4: Latino Traditions
  24. The Legacy of the Spanish Conquest
  25. Sacred Music from Mexico
  26. Secular Music from Mexico
  27. The Caribbean and South America
  28. Key Terms
  29. Ch 5: Diverse Traditions: French, Scandinavian, Arab, and Asian
  30. The French Influence in Louisiana
  31. The Scandinavian Influence in the Upper Midwest
  32. Arab American Traditions
  33. The Asian Influence
  34. Key Terms
  35. Ch 6: Folk Music as an Instrument of Advocacy
  36. The Urban Folk Song Movement of the 1930s and 1940s
  37. Protest and Folk Song in the 1960s
  38. Freedom Songs and the Civil Rights Movement in the South
  39. Key Terms
  40. Part 2: Three Offspring of the Rural South
  41. Ch 7: Country Music
  42. Enduring Themes
  43. The “Country Sound”
  44. Commercial Beginnings: Early Recordings, Radio, and the First Stars
  45. Jimmie Rodgers: The Father of Country Music
  46. The West: Cowboys, Honky-Tonks, and Western Swing
  47. Postwar Dissemination and Full-Scale Commercialization
  48. The Persistence and Revival of Traditional Styles
  49. Key Terms
  50. Ch 8: The Blues
  51. Characteristics of the Blues
  52. Early Published Blues
  53. Classic Blues
  54. Blues and Jazz
  55. Boogie-Woogie
  56. Selling the Country Blues
  57. Urban Blues
  58. Blues at the Turn of the Century
  59. Key Terms
  60. Ch 9: Rock Music
  61. Rock’s Ties to Rhythm and Blues
  62. Reaching White Audiences
  63. The Influence of Country Music
  64. Trends from the 1960s to the Present
  65. Hip Hop
  66. Key Terms
  67. Part 3: Popular Sacred Music
  68. Ch 10: From Psalm Tune to Rural Revivalism
  69. Psalmody in America
  70. The Singing-School Movement
  71. The Frontier and Rural America in the Nineteenth Century
  72. Music among Smaller Independent American Sects
  73. Key Terms
  74. Ch 11: Urban Revivalism and Gospel Music
  75. Urban Revivalism after the Civil War: The Moody-Sankey Era of Gospel Hymns
  76. The Billy Sunday-Homer Rodeheaver Era: Further Popularization
  77. Gospel Music after the Advent of Radio and Recordings
  78. Key Terms
  79. Part 4: Popular Secular Music
  80. Ch 12: Secular Music in the Cities from Colonial Times to the Age of Andrew Jackson
  81. Concerts and Dances
  82. Musical Theater
  83. Popular Song
  84. Key Terms
  85. Ch 13: Popular Musical Theater and Opera from the Age of Andrew Jackson to the Present
  86. Minstrelsy and Musical Entertainment before the Civil War
  87. From the Civil War through the Turn of the Century
  88. The First Half of the Twentieth Century
  89. The Musical in Its Maturity: Show Boat to West Side Story
  90. The Musical since West Side Story
  91. Opera in America
  92. Key Terms
  93. Ch 14: Popular Music from the Jacksonian Era to the Advent of Rock
  94. Popular Song from the 1830s through the Civil War
  95. Bands and Band Music from the Civil War to John Philip Sousa
  96. Popular Song in the Gilded Age
  97. Tin Pan Alley: Popular Music Publishing Becomes an Industry
  98. Key Terms
  99. Part 5: Jazz and Its Forerunners
  100. Ch 15: Ragtime and Precursors of Jazz
  101. The Context of Ragtime from Its Origins to Its Zenith
  102. The Musical Characteristics of Ragtime
  103. The Decline and Dispersion of Ragtime
  104. Precursors of Jazz
  105. Key Terms
  106. Ch 16: Jazz
  107. The New Orleans Style: The Traditional Jazz of the Early Recordings
  108. The Swing Era and the Big Bands
  109. The Emergence of Modern Jazz: Bop as a Turning Point
  110. Jazz since the 1970s
  111. Key Terms
  112. Part 6: Classical Music
  113. Ch 17: The Search for an American Identity
  114. Music Education before the Civil War
  115. Music Education and Culture after the Mid-Nineteenth Century
  116. American Music and American Life
  117. America’s Virtuoso Cult
  118. Key Terms
  119. Ch 18: Twentieth-Century Innovation and the Contemporary World
  120. New York “Modernism”
  121. Midcentury Modernism
  122. The West Coast: Cowell and Partch
  123. New Technology and the New Music
  124. Minimalism
  125. Multimedia Art and Concept Music
  126. Classical Music and the Contemporary World
  127. Key Terms
  128. Ch 19: Film Music
  129. A Realistic Film of the American West
  130. Two Films about the Small Town and the Big City
  131. Three Career Film Composers
  132. The American Panorama on Film
  133. Key Terms
  134. References
  135. Glossary
  136. Index

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