Instant download Test Bank for The Enjoyment of Music, 13th Edition, Andrew Dell’Antonio, Kristine Forney pdf docx epub after payment.
Product details:
- ISBN-10 : 0393639037
- ISBN-13 : 978-0393639032
- Author: Kristine Forney; Andrew Dell’Antonio
For more than 60 years, this text has led the way in preparing students for a lifetime of listening to great music and understanding its cultural and historical context. The Thirteenth Edition builds on this foundation with NEW coverage of performance and musical style. NEW tools help students share their deepening listening skills and appreciation in writing and conversation.
Table of contents:
Listening Guides xiii Listening Activities xv Explorations xvii iMusic Examples xix Preface: The Enjoyment of Music: Essential Listening Edition Package xxi [IMAGE HERE] PART ONE The Materials of Music 1 TIMELINE: Materials of Music 2 PRELUDE: Listening to Music Today 3 Some Practical Suggestions for Listening | Attending Concerts CHAPTER 1 Melody: Musical Line 10 Exploration 1: Music and Sound | Defining Melody | The Structure of Melody | Listening Activity: Melody CHAPTER 2 Rhythm and Meter: Musical Time 15 Metrical Patterns | Listening Activity: Rhythm CHAPTER 3 Harmony: Musical Space 19 The Organization of Harmony | Listening Activity: Harmony | Consonance and Dissonance CHAPTER 4 The Organization of Musical Sounds 24 The Formation of Major and Minor Scales | Diatonic and Chromatic Scales | Other Scale Types | The Major-Minor System | The Key as a Form-Building Element | Listening Activity: Musical Scales and Key CHAPTER 5 Musical Texture 31 Types of Texture | Contrapuntal Devices | Listening Activity: Texture | Musical Texture and the Listener CHAPTER 6 Musical Form 35 Structure and Design in Music | Two-Part and Three-Part Form | The Building Blocks of Form | Listening Activity: Musical Form CHAPTER 7 Musical Expression: Tempo and Dynamics 41 The Pace of Music | Loudness and Softness | Tempo and Dynamics as Elements of Musical Expression | Listening Activity: Tempo and Dynamics CHAPTER 8 Voices and Musical Instrument Families 45 Musical Timbre | The Voice as Instrument | The World of Musical Instruments | Listening Activity: Voices CHAPTER 9 Western Musical Instruments 49 String Instruments | Woodwind Instruments | Brass Instruments | Percussion Instruments | Keyboard Instruments | Listening Activity: Western Instruments CHAPTER 10 Musical Ensembles 58 Choral Groups | Instrumental Chamber Ensembles | The Orchestra | Concert, Jazz, and Rock Bands | The Role of the Conductor | The Orchestra in Action | Listening Guide 1, Britten: The Young Person's Guide to the Orchestra | Listening Activity: Reviewing Ensembles CHAPTER 11 Style and Function of Music in Society 68 Exploration 2: The Roles of Music around the World | The Concept of Style | Musical Styles in History | Listening Activity: Comparing Styles 1: Historical Periods [IMAGE HERE] PART TWO Medieval and Renaissance Music 75 TIMELINE: Medieval/Renaissance 76 CHAPTER 12 The Culture of the Middle Ages 77 The Development of Medieval Music CHAPTER 13 Medieval Music 80 Sacred Music in the Middle Ages | The Mass | Exploration 3: Chant as Music for Worship | Listening Guide 2, Hildegard of Bingen: Allelulia, O virga mediatrix | Secular Music in the Middle Ages | Listening Guide 3, Machaut: Puis qu'en oubli | Exploration 4: Opening Doors to the East CHAPTER 14 The Renaissance Spirit 90 Musicians in Renaissance Society | Renaissance Musical Style CHAPTER 15 Renaissance Sacred Music 93 The Motet in the Renaissance | Listening Guide 4, Josquin: Ave Maria . . . virgrerena | The Renaissance Mass | The Late Renaissance Mass | Listening Guide 5, Palestrina: Pope Marcellus Mass CHAPTER 16 Renaissance Secular Music 100 The Chanson | Instrumental Dance Music | The Madrigal | Listening Guide 6, Susato: Three Dances | The Madrigal in England | Listening Guide 7, Farmer: Fair Phyllis | Listening Activity: Comparing Styles 2: Medieval, Renaissance, and Baroque | A Comparison of Medieval, Renaissance, and Baroque Styles [IMAGE HERE] PART THREE The Baroque Era 109 TIMELINE: Baroque Era 110 CHAPTER 17 The Baroque Spirit 111 Main Currents in Baroque Music | Exploration 5: Music and the Religious Spirit in the New World CHAPTER 18 Vocal Music of the Baroque 117 The Components of Opera | The Earliest Operas | Listening Guide 8, Purcell: Dido and Aeneas, Act III, Dido's Lament | The Baroque Oratorio | The Baroque Cantata | Listening Guide 9, Handel: Messiah, Nos. 18 and 44 | Listening Guide 10, Bach: Cantata No. 80, A Mighty Fortress Is Our God, No. 5 CHAPTER 19 Orchestral Music of the Baroque 127 The Rise of Instrumental Music | Baroque Instruments | Baroque Concerto Types | Listening Guide 11, Vivaldi: Spring, from The Four Seasons, I | The Baroque Suite | Handel and the Orchestral Suite | Listening Guide 12, Handel: Water Music, Suite in D Major, Alla hornpipe CHAPTER 20 Baroque Keyboard Music 135 Keyboard Instruments | Keyboard Forms | The Fugue and Its Devices | Bach's Keyboard Fugues | Listening Guide 13, Bach: Contrapunctus I, from The Art of Fugue | Listening Activity: Comparing Styles 3: Baroque to Classical | A Comparison of Baroque and Classical Styles [IMAGE HERE] PART FOUR Eighteenth-Century Classicism 145 TIMELINE: Classical Era 146 CHAPTER 21 The Classical Spirit 147 Classicism in Music | Elements of Classical Style | The Patronage System CHAPTER 22 The Development of Classical Forms 152 The First Movement | The Second Movement | The Third Movement | The Fourth Movement | The Multimovement Cycle as a Whole | Classical Chamber Music | The String Quartet | Listening Guide 14, Mozart: Eine kleine Nachtmusik, I and III | Listening Activity: Hearing Larger Forms CHAPTER 23 The Classical Symphony 160 Historical Background of the Symphony | Joseph Haydn and the Symphony | Listening Guide 15, Haydn: Symphony No. 94 in G major (Surprise), II | Exploration 6: East Meets West: Turkish Influences on the Viennese Classics | Listening Guide 16, Beethoven: Symphony No. 5 in C minor, I CHAPTER 24 The Classical Concerto and Sonata 169 Overview of the Classical Concerto | The Concerto and Its Performers | Listening Guide 17, Haydn: Trumpet Concerto in E-flat major, III | The Classical Sonata | Listening Guide 18, Beethoven: Piano Sonata in C-sharp minor, Op. 27, No. 2 (Moonlight), I CHAPTER 25 Classical Opera 175 Opera Types | Mozart and Classical Opera | Listening Guide 19, Mozart: The Marriage of Figaro, Act I, Scenes 6 and 7 | Listening Activity: Comparing Styles 4: Classical to Romantic | A Comparison of Classical and Romantic Styles [IMAGE HERE] PART FIVE The Nineteenth Century 187 TIMELINE: Romantic Era 188 CHAPTER 26 The Spirit of Romanticism 189 French Revolution | Romantic Writers | Romanticism in Music | Romantic Style Traits | The Musician in Society CHAPTER 27 The Romantic Miniature 195 Types of Song Structure | The Lied | Listening Guide 20, Schubert: Erlking | The Piano and Its Literature | The Short Lyric Piano Piece | Listening Guide 21, Chopin: Polonaise in A major, Op. 40, No. 1 (Military) CHAPTER 28 Romantic Program Music 203 Varieties of Program Music | Berlioz and the Program Symphony | Listening Guide 22, Berlioz: Symphonie fantastique, V | Musical Nationalism | Listening Guide 23, Smetana: The Moldau, from My Country | Other Nationalists | Exploration 7: Music, Folklore, and Nationalism CHAPTER 29 Romantic Opera 214 The Development of National Styles | Verdi and Italian Opera | Listening Guide 24, Verdi: Rigoletto, Act III, excerpts CHAPTER 30 The Late Romantics 223 Romantic Choral Music | Listening Guide 25, Brahms: A German Requiem, IV | Ballet-Past and Present | Listening Guide 26, Tchaikovsky: The Nutcracker, March CHAPTER 31 America's Emerging Musical Voice 230 The Vernacular Tradition | The Rise of Classical Composition in America | Listening Guide 27, Beach: Violin Sonata in A minor, II | Listening Activity: Comparing Styles 5: Romantic to Twentieth Century | A Comparison of Romantic, Impressionist, and Early-Twentieth-Century Styles [IMAGE HERE] PART SIX Impressionism and the Early Twentieth Century 239 TIMELINE: Impressionism and Early 20th Century 240 CHAPTER 32 The Impressionist Era 241 The Impressionist Painters | The Symbolist Poets | Impressionism in Music | Exploration 8: The Paris World Exhibition of 1889: A Cultural Awakening | Listening Guide 28, Debussy: Prelude to "The Afternoon of a Faun" CHAPTER 33 Main Currents in Early-Twentieth-Century Music 247 The Reaction against Romanticism | New Trends in the Arts | Expressionism | Neoclassicism | The New Rhythmic Complexity | The New Melody | The New Harmony | Orchestration | New Conceptions of Form Chapter 34 Early-Twentieth-Century Innovators 252 Listening Guide 29, Stravinsky: The Rite of Spring, Part I, excerpts | Schoenberg and the Second Viennese School | Listening Guide 30, Schoenberg: Pierrot lunaire, No. 18 Chapter 35 Nationalism and Music 260 American Musical Traditions | Listening Guide 31, Still: Afro-American Symphony, II | Exploration 9: Preserving the Musical Traditions of Mexico | Listening Guide 32, Copland: Billy the Kid, Scene I | Listening Activity: Comparing Styles 6: The Influence of Music of the Americas on Modern Composers Chapter 36 Ragtime, Blues, and Jazz 270 Scott Joplin and Ragtime | Exploration 10: The Roots of Jazz | Listening Guide 33, Joplin: Maple Leaf Rag | Blues and New Orleans Jazz | Duke Ellington and the Big Band Era | Bebop and Later Jazz Styles | Listening Guide 34, Strayhorn: Take the A Train [IMAGE HERE] PART SEVEN Later Twentieth Century and Beyond 281 TIMELINE: Later 20th Century and Beyond 282 CHAPTER 37 New Directions 283 The Arts since the Mid-Twentieth Century | Toward Greater Organization in Music | Toward Greater Freedom in Music | The Postwar Internationalism | Technology and Music | Exploration 11: Musical Interactivity CHAPTER 38 Contemporary Composers Look to World Music 292 Important Experimenters | Multicultural Influences in Contemporary Society | Listening Guide 35, Cage: Sonata V, from Sonatas and Interludes | Listening Guide 36, Sheng: China Dreams: Prelude | Exploration 12: Improvisation as Compositional Process | Listening Activity: Comparing Styles 7: The Influence of World Music on Modern Composers CHAPTER 39 Music for the Stage and Screen 300 The Development of American Musical Theater | Exploration 13: Latin American Dance Music | Listening Guide 37, Bernstein:West Side Story, excerpts | Music for Films | Beyond Star Wars | Listening Guide 38, John Williams: Raiders March, from Raiders of the Lost Ark CHAPTER 40 The Many Voices of Rock 312 Rock and Roll's Roots and First Wave | The Beatles | The British Invasion | Listening Guide 39, The Rolling Stones: 19th Nervous Breakdown | Woodstock | Eclecticism of the 1970s | The 1980s and Beyond | Listening Guide 40, Nirvana: Smells Like Teen Spirit CHAPTER 41 Some Current Trends 323 Minimalism and Post-Minimalism | Listening Guide 41, Adams: Tromba lontana | The New Romanticism | Listening Guide 42, Larsen: Beloved, Thou Hast Brought Me Many Flowers, No. 6| Listening Activity: Comparing Styles 8: Early Twentieth Century to Later Twentieth Century | A Comparison of Early- and Late-Twentieth-Century Styles | Coda Appendices I. Musical Notation A1 II. Glossary A6 III. Answers to Listening Activities A23 Credits A31 Index A35 World Map A56 Listening Guides 1. Britten: The Young Person's Guide to the Orchestra 65 2. Hildegard of Bingen: Alleluia, O virga mediatrix 84 3. Machaut: Puis qu'en oubli 87 4. Josquin: Ave Maria . . . virgo serena 95 5. Palestrina: Pope Marcellus Mass, Gloria 99 6. Susato: Three Dances 103 7. Farmer: Fair Phyllis 105 8. Purcell: Dido and Aeneas, Act III, Dido's Lament 120 9. Handel: Messiah, Nos. 18 and 44 123 10. Bach: Cantata No. 80, A Mighty Fortress Is Our God, No. 5 125 11. Vivaldi: Spring, from The Four Seasons, I 130 12. Handel: Water Music, Suite in D major, Alla hornpipe 134 13. Bach: Contrapunctus I, from The Art of Fugue 141 14. Mozart: Eine kleine Nachtmusik, K. 525, I and III 158 15. Haydn: Symphony No. 94 in G major (Surprise), II 164 16. Beethoven: Symphony No. 5 in C minor, Op. 67, I 167 17. Haydn: Trumpet Concerto in E-flat major, III 171 18. Beethoven: Piano Sonata in C-sharp minor, Op. 27, No. 2 (Moonlight), I 174 19. Mozart: The Marriage of Figaro, Act I, Scenes 6 and 7 179 20. Schubert: Erlking 198 21. Chopin: Polonaise in A major, Op. 40, No. 1 (Military) 202 22. Berlioz: Symphonie fantastique, V 207 23. Smetana: The Moldau, from My Country 210 24. Verdi: Rigoletto, Act III, excerpts 219 25. Brahms: A German Requiem, IV 226 26. Tchaikovsky: The Nutcracker, March 229 27. Beach: Violin Sonata in A minor, II 234 28. Debussy: Prelude to "The Afternoon of a Faun" 246 29. Stravinsky: The Rite of Spring, Part I, excerpts 255 30. Schoenberg: Pierrot lunaire, No. 18 259 31. Still: Afro-American Symphony, II (Sorrow) 264 32. Copland: Billy the Kid, Scene I, Street in a Frontier Town 267 33. Joplin: Maple Leaf Rag 272 34. Strayhorn: Take the A Train 278 35. Cage: Sonata V, from Sonatas and Interludes 295 36. Sheng: China Dreams: Prelude 297 37. Bernstein: West Side Story, excerpts 303 38. John Wiliams: Raiders March, from Raiders of the Lost Ark 310 39. The Rolling Stones: 19th Nervous Breakdown 316 40. Nirvana: Smells Like Teen Spirit 321 41. Adams: Tromba lontana 325 42. Larsen: Beloved, Thou Hast Brought Me Many Flowers, No. 6 327 Listening Activities Melody 14 Rhythm 18 Harmony 22 Musical Scales and Key 30 Texture 34 Musical Form 40 Tempo and Dynamics 44 Voices 48 Western Instruments 58 Reviewing Ensembles 67 Comparing Styles 1: Historical Periods 73 Comparing Styles 2: Medieval, Renaissance, and Baroque 106 Comparing Styles 3: Baroque to Classical 142 Hearing Larger Forms 159 Comparing Styles 4: Classical to Romantic 184 Comparing Styles 5: Romantic to Twentieth Century 235 Comparing Styles 6: The Influence of Music of the Americas on Modern Composers 269 Comparing Styles 7: The Influence of World Music on Modern Composers 299 Comparing Styles 8: Early Twentieth Century to Later Twentieth Century 329 Explorations
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