Test Bank for The Humanities: Culture, Continuity, and Change, Volume 2 4th Edition Sayre

This is completed downloadable of Test Bank for The Humanities: Culture, Continuity, and Change, Volume 2 4th Edition Sayre

Product Details:

• ISBN-10 ‏ : ‎ 0134789431
• ISBN-13 ‏ : ‎ 978-0134789439
• Author:   Henry M. Sayre

For courses in Introduction to the Humanities   See context and make connections across the humanities The Humanities: Culture, Continuity, and Change leads students on a journey through countless “ah-ha” moments as they piece together the cultural history of the world. Believing that students learn best by remembering stories rather than memorizing facts, author Henry Sayre deftly conveys multifaceted cultural experiences via a storytelling approach that students will remember – during the course and beyond. Updated with numerous new images and examples, the  4th Edition analyzes recent works such as Lin-Manuel Miranda’s  Hamilton: An American Musical to help students see how course concepts can help them understand resonant contemporary works.

 

Table of Content:

1. Part Four Excess, Inquiry, and Restraint 1600–1800
2. 21 The Baroque in Italy The Church and Its Appeal
3. Learning Objectives
4. Baroque Style and the Counter-Reformation
5. Sculpture and Architecture: Bernini and His Followers
6. The Society of Jesus
7. San Carlo alle Quattro Fontane
8. The Drama of Painting: Caravaggio and the Caravaggisti
9. Master of Light and Dark: Caravaggio
10. The Baroque and Sexuality: Caravaggio and the Metaphysical Poetry of John Donne
11. Elisabetta Sirani and Artemisia Gentileschi: Caravaggisti Women
12. Venice and Baroque Music
13. Giovanni Gabrieli and the Drama of Harmony
14. Claudio Monteverdi and the Birth of Opera
15. Arcangelo Corelli and the Sonata
16. Antonio Vivaldi and the Concerto
17. Chapter Review
18. Reading
19. 22 The Secular Baroque in the North The Art of Observation
20. Learning Objectives
21. Calvinist Amsterdam: City of Contradictions
22. Gaining Independence from Spain
23. The Dutch East India Company in Batavia
24. Tulipomania
25. The Dutch Reformed Church: Strict Doctrine and Whitewashed Spaces
26. The Science of Observation
27. Francis Bacon and the Empirical Method
28. René Descartes and the Deductive Method
29. Johannes Kepler, Galileo Galilei, and the Telescope
30. Antoni van Leeuwenhoek, Robert Hooke, and the Microscope
31. Dutch Vernacular Painting: Art of the Familiar
32. Still Life
33. Landscapes
34. Genre Scenes
35. Johannes Vermeer and the Domestic Scene
36. The Group Portrait
37. Rembrandt van Rijn and the Drama of Light
38. The Drama of Light
39. Rembrandt and the Self-Portrait
40. The Baroque Keyboard
41. Jan Pieterszoon Sweelinck’s Fantasias for the Organ
42. The North German School: Johann Sebastian Bach
43. Vocal Music
44. Instrumental Music
45. Chapter Review
46. Reading
47. 23 The Baroque Court Absolute Power and Royal Patronage
48. Learning Objectives
49. Absolutism and the Arts: Louis XIV and the French Court
50. The Tastes of Louis XIV
51. The Painting of Peter Paul Rubens: Color and Sensuality
52. The Painting of Nicolas Poussin: Classical Decorum
53. Music and Dance at the Court of Louis XIV
54. Dance Forms
55. Theater at the French Court
56. The Art and Politics of the English Court
57. Anthony van Dyck: Court Painter
58. Puritan and Cavalier Literature
59. Henry Purcell and English Opera
60. The Arts of the Spanish Court
61. Diego Velázquez and the Royal Portrait
62. The Literature of the Spanish Court
63. The Plays of Lope de Vega and Calderón
64. The Satires of Francisco de Quevedo
65. The Baroque in the Americas
66. Lima and Cuzco
67. Baroque Music in the Americas: Sor Juana Inés de la Cruz
68. The Churrigueresque Style: Retablos and Portals in New Spain
69. Chapter Review
70. Reading
71. 24 The Rise of the Enlightenment in England The Claims of Reason
72. Learning Objectives
73. The New London: Absolutism Versus Liberalism
74. Absolutism versus Liberalism: Thomas Hobbes and John Locke
75. John Milton’s Paradise Lost
76. The English Enlightenment
77. Satire: Enlightenment Wit
78. Hogarth and the Popular Print
79. The Satires of Jonathan Swift
80. The Classical Wit of Alexander Pope
81. The English Garden
82. Isaac Newton: The Laws of Physics
83. The Industrial Revolution
84. Handel and the English Oratorio
85. Literacy and the New Print Culture
86. The Tatler and The Spectator
87. The Rise of the English Novel
88. Daniel Defoe’s Fictional Autobiographies
89. The Epistolary Novel: Samuel Richardson’s Pamela
90. The Comic Novels of Henry Fielding
91. The World of Provincial Gentry: Jane Austen’s Pride and Prejudice
92. Samuel Johnson: Stylist and Moralist
93. Exploration in the Enlightenment
94. Cook’s Encounters in the South Pacific
95. Polynesia and the Maori
96. Easter Island
97. Melanesia
98. Australia
99. Hawaii
100. Cook in the North Pacific
101. Chapter Review
102. Reading
103. 25 The Rococo and the Enlightenment on the Continent Privilege and Reason
104. Learning Objectives
105. The Rococo
106. Rococo Painting in France: The Fête Galante and the Art of Love
107. Rococo Architecture and Landscape Design in Central Europe and England
108. Balthasar Neumann and Giovanni Tiepolo in Bavaria
109. Prussia and the Rococo
110. The Philosophes
111. Denis Diderot and the Encyclopédie
112. Jean-Jacques Rousseau and the Cost of the Social Contract
113. Voltaire and French Satire
114. Art Criticism and Theory
115. Gotthold Ephraim Lessing’s Laocoön
116. Rococo and Classical Music
117. The Symphonic Orchestra
118. Symphonic Form
119. The String Quartets of Joseph Haydn
120. Wolfgang Amadeus Mozart: Classical Complexity
121. The Popularization of Opera
122. Opera Seria versus Opera Buffa
123. Mozart’s Stylistic Synthesis
124. China and Europe: Cross-Cultural Contact
125. Chinoiserie
126. The Arts in the Qing Dynasty (1644–1911)
127. Chapter Review
128. Readings
129. 26 The Rights of Man Revolution & the Neoclassical Style
130. Learning Objectives
131. The American and French Revolutions
132. The Road to Revolt in America: War and Taxation
133. The Declaration of Independence
134. The Declaration of the Rights of Man and Citizen
135. The Reign of Terror
136. The Rights of Woman
137. Olympe de Gouges: The Call for Universal Rights
138. Mary Wollstonecraft: An Englishwoman’s Response to the French Revolution
139. The Neoclassical Spirit
140. Neoclassicism and the American Political System
141. Neoclassical Values in Britain and America
142. The British Influence: Robert Adam and Josiah Wedgwood
143. American Neoclassical Architecture
144. Neoclassical Sculpture in America
145. Jacques-Louis David and the Neoclassical Style in France
146. Angelica Kauffmann
147. Napoleon and Neoclassical Paris
148. The Consulate and the Napoleonic Empire: 1799–1815
149. Art as Propaganda: Painting, Architecture, Sculpture
150. David as Chronicler of Napoleon’s Career
151. Ingres’s Glorification of the Emperor
152. Vignon’s La Madeleine
153. Canova and the Bonapartes
154. The Issue of Slavery
155. Autobiographical and Fictional Accounts of Slavery
156. The Argument for Slavery
157. The Abolitionist Movement in Britain and America
158. The African Diaspora
159. Chapter Review
160. Readings
161. Part Five Romanticism, Realism, and Empire 1800–1900
162. 27 The Romantic World View The Self in Nature and the Nature of Self
163. Learning Objectives
164. The Romantic Imagination
165. The Idea of the Romantic: William Wordsworth’s “Tintern Abbey”
166. A Romantic Experiment: Lyrical Ballads
167. Romanticism as a Voyage of Discovery: Samuel Taylor Coleridge
168. Classical versus Romantic: The Odes of John Keats
169. The Romantic Landscape
170. John Constable: Painter of the English Countryside
171. Joseph Mallord William Turner: Colorist of the Imagination
172. The Romantic in Germany: Friedrich and Kant
173. Romanticism’s Darker Realities
174. The Romantic Hero
175. The Hegelian Dialectic and the “Great Man” Theory of History
176. The Promethean Idea in England: Lord Byron and the Shelleys
177. The Romantic Hero in Germany: Johann Wolfgang von Goethe’s Werther and Faust
178. Goya’s Tragic Vision
179. Goya before Napoleon: Social Satire
180. The Third of May, 1808 : Napoleon’s Spanish Legacy
181. The Black Paintings
182. Beethoven and the Rise of Romantic Music
183. Early Years in Vienna: From Classicism to Romanticism
184. The Heroic Decade: 1802–12
185. The Eroica
186. The Fifth Symphony
187. The Late Period: The Romantic in Music
188. Romantic Music after Beethoven
189. Hector Berlioz and Program Music
190. Felix Mendelssohn and the “Meaning” of Music
191. Song: Franz Schubert and the Schumanns
192. Piano Music: Frédéric Chopin
193. Chapter Review
194. Readings
195. 28 Industry and the Working Class A New Realism
196. Learning Objectives
197. The Industrial City: Conditions in London
198. Water and Housing
199. Labor and Family Life
200. Reformists Respond: Utopian Socialism, Medievalism, and Christian Reform
201. Utopian Socialism
202. A.W.N. Pugin, Architecture, and the Medieval Model
203. Literary Realism
204. Charles Dickens’s Hard Times
205. French Literary Realism
206. French Painting: The Dialogue between Idealism and Realism
207. Théodore Géricault: Rejecting Classicism
208. The Aesthetic Expression of Politics: Delacroix versus Ingres
209. Liberty Leading the People
210. Caricature and Illustration: Honoré Daumier
211. Realist Painting: The Worker as Subject
212. Gustave Courbet: Against Idealism
213. Photography: Realism’s Pencil of Light
214. Chapter Review
215. Reading
216. 29 Defining a Nation American National Identity and the Challenge of Civil War
217. Learning Objectives
218. American Landscape: The Cultivated and the Sublime
219. Washington Irving’s Satiric Vision
220. The Hudson River Painters
221. Transcendentalism and the American Romantics
222. The Philosophy of Romantic Idealism: Emerson and Thoreau
223. Herman Melville and the Uncertain World of Moby-Dick
224. The Abolitionist Movement
225. Frederick Douglass
226. Other Slave Narratives
227. Harriet Beecher Stowe and Uncle Tom’s Cabin
228. Agassiz versus Darwin
229. Romanticizing Slavery in Antebellum American Art and Music
230. Eastman Johnson: The Ambiguity of Negro Life in the South
231. Stephen Foster and the Minstrel Song
232. The Civil War
233. Representing the War
234. Winslow Homer’s Magazine Illustrations
235. Mathew Brady’s Photographers
236. Reconstruction
237. Mark Twain’s Adventures of Huckleberry Finn
238. Chapter Review
239. Readings
240. 30 Global Confrontation and Modern Life The Quest for Cultural Identity
241. Learning Objectives
242. The Revolutions of 1848
243. Marxism
244. The Streets of Paris
245. The June Days in Paris: Worker Defeat and the Rise of Louis-Napoleon
246. The Haussmannization of Paris
247. Revolution across Europe: The Rise of Nationalism
248. Paris in the 1850s and 1860s
249. George Sand: Politics and the Female Voice
250. Charles Baudelaire and the Poetry of Modern Life
251. Édouard Manet: The Painter of Modern Life
252. Émile Zola and the Naturalist Novel
253. Nationalism and the Politics of Opera
254. Giuseppe Verdi and the Grand Opera
255. Wagner’s Music Drama Meets the Jockey Club
256. Wagner’s Music Drama
257. Operetta: Jacques Offenbach and Musical Satire
258. Empire and the Colonial Aspirations of the West
259. The British in China and India
260. China and the Opium War
261. Indentured Labor and Mass Migration
262. The Brief Rise and Quick Fall of Egypt
263. The Opening of Japan
264. Industrialization: The Shifting Political Climate
265. Japanese Printmaking
266. Chapter Review
267. Reading
268. 31 The Promise of Renewal Hope and Possibility in Late Nineteenth-Century Europe
269. Learning Objectives
270. French Impressionism
271. Monet’s Escape to Giverny
272. Morisot and Pissarro: The Effects of Paint
273. Painting Leisure: Renoir and Degas
274. Painting Work: Degas and Caillebotte
275. Manet’s Response to Impressionism
276. Russian Realism and the Quest for the Russian Soul
277. The Writer and Artist under the Tsars
278. The Psychological Realism of Dostoyevsky
279. The Historical Realism of Tolstoy
280. The Travelers: Realist Painters of Social Issues
281. Russian Nationalist Music and Ballet
282. Britain and the Design of Social Reform
283. Morris, the Guild Movement, and the Pre-Raphaelites
284. John Stuart Mill: Women’s Rights and the Question of Liberty
285. Chapter Review
286. Reading
287. 32 The Course of Empire Expansion and Conflict in America
288. Learning Objectives
289. The Native American in Myth and Reality
290. The Indian Removal Act
291. Recording Native Americans: Catlin’s Ethnographic Enterprise
292. Huron Moccasins: The Influence of European Styles on Native American Art
293. Plains Narrative Painting: Picturing Personal History and Change
294. Women’s Arts on the Plains: Quillwork and Beadwork
295. Weaving and Basketry
296. The End of an Era
297. Walt Whitman’s America
298. Leaves of Grass
299. In the Interest of Liberty: An Era of Contradictions
300. The Statue of Liberty and Tammany Hall
301. Economic Depression, Strikes, and the Haymarket Riot
302. The American Woman
303. Representing the Tension between Genders
304. Emily Dickinson: The Poetry of Enigma
305. Kate Chopin and the New Feminist Novel
306. Ragtime and the Beginnings of Jazz
307. The American Abroad
308. Henry James and the International Novel
309. Painters Abroad: The Expatriate Vision
310. Chicago and the Columbian Exposition of 1893
311. Louis Sullivan and the Chicago School of Architecture
312. Frederick Law Olmsted and the Invention of Suburbia
313. Chapter Review
314. Readings
315. 33 The Fin de Siècle Toward the Modern
316. Learning Objectives
317. The Fin De Siècle: From Naturalism to Symbolism
318. Art Nouveau
319. Exposing Society’s Secrets: The Plays of Henrik Ibsen
320. The Symbolist Imagination in the Arts
321. The Sculpture of Rodin
322. Rodin, Lautrec, and the World of Montmartre
323. Mallarmé’s Poetry
324. The Music of Debussy
325. Post-Impressionist Painting
326. Pointillism: Seurat and the Harmonies of Color
327. Symbolic Color: Van Gogh
328. The Structure of Color: Cézanne
329. Closer Look: Cézanne’s Still Life with Plaster Cast
330. Escape to Far Tahiti: Gauguin
331. The Late Monet
332. Toward the Modern
333. The New Moral World of Nietzsche
334. On the Cusp of Modern Music: Mahler and Brahms
335. The Painting of Isolation: Munch
336. Africa and Empire
337. European Imperialism
338. Social Darwinism: The Theoretical Justification for Imperialism
339. Joseph Conrad’s Heart of Darkness
340. Chapter Review
341. Readings
342. Part Six Modernism and the Globalization of Cultures 1900 To the Present
343. 34 The Era of Invention Paris and the Modern World
344. Learning Objectives
345. Pablo Picasso’s Paris: At the Heart of the Modern
346. The Aggressive New Modern Art: Les Demoiselles d’Avignon
347. Matisse and the Fauves: A New Color
348. The Invention of Cubism: Braque’s Partnership with Picasso
349. Abstraction and Collage
350. Futurism: The Cult of Speed
351. Modernist Music and Dance: Stravinsky and the Ballets Russes
352. The Expressionist Movement: Modernism in Germany and Austria
353. Die Brücke: The Art of Deliberate Crudeness
354. Der Blaue Reiter: The Spirituality of Color
355. A Diversity of Sound: Schoenberg’s New Atonal Music versus Puccini’s Lyricism
356. Early Twentieth-Century Literature
357. Guillaume Apollinaire and Cubist Poetics
358. Ezra Pound and the Imagists
359. The Origins of Cinema
360. The Lumière Brothers’ Celluloid Film Movie Projector
361. The Nickelodeon: Movies for the Masses
362. D.W. Griffith and Cinematic Space
363. Chapter Review
364. Reading
365. 35 The Great War and Its Impact A Lost Generation and a New Imagination
366. Learning Objectives
367. Trench Warfare and the Literary Imagination
368. Wilfred Owen: “The Pity of War”
369. In the Trenches: Remarque’s All Quiet on the Western Front
370. William Butler Yeats and the Specter of Collapse
371. T.S. Eliot: The Landscape of Desolation
372. Escape From Despair: Dada in the Capitals
373. Russia: Art and Revolution
374. Vladimir Lenin and the Soviet State
375. The Arts of the Revolution
376. From Suprematism to Constructivism
377. The New Russian Cinema
378. Freud, Jung, and the Art of the Unconscious
379. Freud’s Civilization and Its Discontents
380. The Jungian Archetype
381. The Dreamwork of Surrealism
382. Picasso and Miró
383. Salvador Dalí’s Lugubrious Game
384. Surrealist Sculpture
385. Experimentation and the Literary Life: The stream-of-consciousness Novel
386. Joyce, Ulysses, and Sylvia Beach
387. Virginia Woolf: In the Mind of Mrs. Dalloway
388. Marcel Proust and the Novel of Memory
389. Chapter Review
390. Readings
391. 36 New York, Skyscraper Culture, and the Jazz Age Making It New
392. Learning Objectives
393. The Harlem Renaissance
394. “The New Negro”
395. Langston Hughes and the Poetry of Jazz
396. Zora Neale Hurston and the Voices of Folklore
397. The Quilts of Gee’s Bend
398. All That Jazz
399. The Blues and Their “Empress,” Bessie Smith
400. Dixieland and Louis Armstrong in Chicago
401. Swing: Duke Ellington at the Cotton Club
402. The Visual Arts in Harlem
403. Skyscraper and Machine: Architecture in New York
404. The Machine Aesthetic
405. The International Style
406. Making it New: The Art of Place
407. The New American Novel and Its Tragic Sense of Place
408. Fitzgerald and The Great Gatsby
409. Hemingway’s Michigan
410. William Faulkner and the Southern Novel
411. The New American Poetry and the Machine Aesthetic
412. William Carlos Williams and the Poetry of the Everyday
413. E.E. Cummings and the Pleasures of Typography
414. Hart Crane and The Bridge
415. The New American Painting: “That, Madam … is paint.”
416. Charles Demuth, Charles Sheeler, and the Industrial Scene
417. Marsden Hartley and the Influence of Cézanne
418. Georgia O’Keeffe and the Question of Gender
419. The American Stage: Eugene O’Neill
420. The Golden Age of Silent Film
421. The Americanization of a Medium
422. The Studios and the Star System
423. Audience and Expectation: Hollywood’s Genres
424. Cinema in Europe
425. German Expressionism
426. Surrealist Film
427. Chapter Review
428. Readings
429. 37 The Age of Anxiety Fascism and Depression, Holocaust and Bomb
430. Learning Objectives
431. The Glitter and Angst of Berlin
432. Kafka’s Nightmare Worlds
433. Brecht and the Berlin Stage
434. Kollwitz and the Expressionist Print
435. The Rise of Fascism
436. Hitler in Germany
437. Anti-Semitism
438. The Bauhaus and De Stijl
439. L’Esprit Nouveau and the Rise of the International Style
440. The Degenerate Art Exhibition
441. The Art of Propaganda
442. Stalin in Russia
443. The Collectivization of Agriculture
444. The Rise of Social Realism in Art and Music
445. Mussolini in Italy
446. Franco in Spain
447. Revolution in Mexico
448. The Mexican Mural Movement
449. The Private World of Frida Kahlo
450. The Great Depression in America
451. The Road to Recovery: The New Deal
452. The Mural Movement
453. The Music Project: Aaron Copland’s American Music
454. The Dust Bowl in Film and Literature
455. Photography and the American Scene
456. Cinema: The Talkies and Color
457. Sound and Language
458. The Jazz Singer: The First Feature-Length Talkie
459. The Blue Angel
460. Disney’s Color Animation
461. 1939: The Great Year
462. The Wizard of Oz
463. Gone with the Wind
464. The Rules of the Game
465. Orson Welles and Citizen Kane
466. World War II
467. The Holocaust
468. The War in the Pacific
469. The Allied Victory
470. Decolonization and Liberation
471. Bearing Witness: Reactions to the War
472. Wiesel’s Night
473. Resnais’s Night and Fog
474. The Japanese Response
475. Chapter Review
476. Reading
477. 38 After the War Existential Doubt, Artistic Triumph, and the Culture of Consumption
478. Learning Objectives
479. Europe After the War: The Existential Quest
480. Christian Existentialism: Kierkegaard, Niebuhr, and Tillich
481. The Philosophy of Sartre: Atheistic Existentialism
482. De Beauvoir and Existential Feminism
483. The Art of Existentialism
484. The Literature of Existentialism
485. America After the War: Triumph and Doubt
486. The Triumph of American Art: Abstract Expressionism
487. Action Painting: Pollock and de Kooning
488. Women Abstract Expressionists
489. The Color-Field Painting of Rothko and Frankenthaler
490. The Dynamic Sculpture of Calder and Smith
491. The Beat Generation and the Art of Inclusiveness
492. Robert Frank and Jack Kerouac
493. Ginsberg and “Howl”
494. John Cage: The Aesthetics of Chance and the Art of Inclusiveness
495. The Art of Collaboration
496. Johns and the Obvious Image
497. Allan Kaprow and the Happening
498. Architecture in the 1950s
499. Pop Art
500. Two Marilyns: Warhol and Rosenquist
501. Lichtenstein and Oldenburg
502. Minimalism in ART
503. Chapter Review
504. Reading
505. 39 Multiplicity and Diversity Cultures of Liberation and Identity in the 1960s and 1970s
506. Learning Objectives
507. Black Identity
508. Sartre’s “Black Orpheus”
509. Asserting Blackness in Art and Literature
510. The Vietnam War: Rebellion and the Arts
511. Kurt Vonnegut’s Slaughterhouse-Five
512. Artists Against the War
513. Conceptual Art
514. Land Art
515. The Music of Youth and Rebellion
516. High and Low: The Example of Music
517. György Ligeti and Minimalist Music
518. The Theatrical and the New Gesamtkunstwerk
519. The Birth of the Feminist Era
520. The Theoretical Framework: Betty Friedan & NOW
521. Feminist Poetry
522. Feminist Art
523. Questions of Male Identity
524. Chapter Review
525. Reading
526. 40 Without Boundaries Multiple Meanings in a Postmodern World
527. Learning Objectives
528. Postmodern Architecture: Complexity, Contradiction, and Globalization
529. Frank Gehry, Santiago Calatrava, and International Competitions
530. The Green Architecture Movement
531. Pluralism and Postmodern Theory
532. Structuralism and the Linguistic Study of Signs
533. Deconstruction and Poststructuralism
534. Chaos Theory
535. The Human Genome
536. Pluralism and Diversity in the Arts
537. A Plurality of Styles in Painting
538. Abstraction as Meditative Space
539. Graffiti and Street Art
540. Multiplicity in Postmodern Literature
541. Postmodern Fiction
542. Postmodern Poetry
543. Postcolonialism, Identity, and the Arts
544. Contesting the Postcolonial Self
545. The Global Marketplace and the Commodification of Culture
546. The Plural Self in the Americas
547. The Latino and Hispanic Presence in the United States
548. Recovering Tradition: Contemporary Native American Art
549. New African-American Identities
550. A Multiplicity of Media: New Technologies
551. Video as Medium
552. The Computer and New Media
553. Chapter Review
554. Reading
555. Index
556. A
557. B
558. C
559. D
560. E
561. F
562. G
563. H
564. I
565. J
566. K
567. L
568. M
569. N
570. O
571. P
572. Q
573. R
574. S
575. T
576. U
577. V
578. W
579. Y
580. Z
581. Photo Credits
582. Part Four
583. Chapter 21
584. Chapter 22
585. Chapter 23
586. Chapter 24
587. Chapter 25
588. Chapter 26
589. Part Five
590. Chapter 27
591. Chapter 28
592. Chapter 29
593. Chapter 30
594. Chapter 31
595. Chapter 32
596. Chapter 33
597. Part Six
598. Chapter 34
599. Chapter 35
600. Chapter 36
601. Chapter 37
602. Chapter 38
603. Chapter 39
604. Chapter 40
605. Text Credits
606. Chapter 21
607. Chapter 23
608. Chapter 24
609. Chapter 25
610. Chapter 26
611. Chapter 27
612. Chapter 29
613. Chapter 30
614. Chapter 32
615. Chapter 33
616. Chapter 34
617. Chapter 35
618. Chapter 36
619. Chapter 37
620. Chapter 38
621. Chapter 39
622. Chapter 40